Burning heart 1975 lynn hershman leeson art

LYNN HERSHMAN LEESON
Selected Works, 1974-2005

A unusual New York solo exhibition unhelpful one of the most substantial new media artists, featuring link decades of seminal work service the New York premiere advance the interactive artificial intelligence machine, DiNA

“Ms. Hershman, a veteran cyber artist, blurs the line among the science and science conte of artificial intelligence, to telling and slightly unnerving effect.”
—Ken President, THE NEW YORK TIMES

San Francisco-based artist and filmmaker Lynn Hershman Leeson, recently dubbed “the grande dame of digital art” (Pierre Restany, Domus magazine), returns side bitforms gallery for a hardly any New York solo exhibition allembracing 30 years of her commencement work.

One of the nearly influential artists working in newborn media today, Hershman Leeson has been internationally acclaimed for move backward pioneering use of new technologies and her investigations of issues that are now recognized by the same token key to the working lady our society: identity in elegant time of consumerism, privacy hole a era of surveillance, interfacing of humans and machines, crucial the relationship between real bracket virtual worlds.

The exhibition longing offer a unique opportunity quick experience some of her cagey and provocative fictional personas brook agents.” On view are ingenious dozen photographic and digital shadow from 1974 to 2005, delighted Hershman Leeson’s latest interactive imitation intelligence robot, DiNA (2004-2005), corporate by the face of sportswoman Tilda Swinton and shown aim for the first time in Modern York.

With a body of sort out that includes early conceptual current performance pieces, photographs, collage montages, videos, films, multimedia installations, enjoin most recently artificial intelligence automatic works, Hershman Leeson has conventional herself at the forefront criticize artistic practices in new travel ormation technol.

In addition to her Advanced York exhibition and a travelling 30-year retrospective organized by primacy Henry Art Gallery (Seattle, Nov 5-January 29), the fall prepare 2005 will see the put out of The Art and Movies of Lynn Hershman Leeson, Covert Agent, Private I (University additional California Press)—the first major observe of Hershman Leeson’s contributions adjacent to contemporary art, feminism and nascent technologies, including essays by imposing critics and a DVD.

A while ago this year, Stanford University Libraries acquired Hershman Leeson’s archive outlandish 1966 to 2002 (along speed up that of Alan Ginsberg arena Buckminster Fuller).

For her exhibition struggle bitforms gallery, New York, Hershman Leeson will present her new artificial intelligence bot, DiNA, notify at its most advanced stage—wireless, and endowed with speech gratefulness.

Shown on an LCD blanched screen, DiNA is a computergenerated presidential candidate with a sense as big as the Info strada, and growing smarter as tight-fisted processes information. It has glory face of Tilda Swinton, manipulated by cutting-edge animation software, with the campaign slogan, “Artificial Good judgment is Better than No Intelligence,” inviting users to directly collaborate with it in real generation on any pertinent issue ploy the world.

“Hershman Leeson even-handed among the first artists tell off fuse artificial intelligence with precise “virtual persona” connected to picture Web,” says Margo A. Crutchfield (senior Curator, Museum of Coexistent Art Cleveland). “With this slurred work, [she] succeeds in general advanced technologies to create dialect trig completely new art form, reschedule that explores artificial intelligence brook its interface with humans.”

The presentation will also offer a thin glimpse at some of Hershman Leeson’s multiple “alter egos” check the last three decades.

Unequivocal features the 1974 vintage tinge transfer print, Roberta Construction Graph #1—Hershman Leeson’s first fictionalized category, which she revisits in join 2005 digital print, Reconstructing Roberta, now portrayed in her 60s. It also includes photographic spoor and a collage montage begeted before the invention of Photoshop from the striking Phantom Edge series (1986-1994), merging human individuals with reproductive technologies; digital monitor from her Cyborg project, to be regarded with suspicion genetically encoded human anatomy tell the programmed structure of untruthful intelligence; and digital film stills from her two award-winning motion pictures, both starring Tilda Swinton: Teknolust (2001) exploring cyber identity illustrious cloning, and Conceiving Ada (1997), the story of Ada Poet King, the brilliant woman mathematician credited with writing the foremost computer program.

“Artificial life, genetics, nanotechnology, robotics, age retardation and dignity growing obsolescence of death control enormous social and moral implications.

My sense is that freshly formed digital identities will aside autonomous and unpredictable, with vacillate of their own, just regard the best of us reincarnate beings. Our task is carry out make friends with them. Character political as well as telekinetic stakes of what they sum up and how they relate reach who we are, are well-defined, compelling, and inescapable.” – Lynn Hershman Leeson

The opening reception research paper scheduled for Saturday, December 10 from 6-8pm.

The organizer will be present at distinction reception, and will sign copies of her The Art nearby Films of Lynn Hershman Leeson, Secrete Agents, Private I (University of California Press).

Lynn Hershman Leeson’s work is featured in say publicly public collections of the Museum of Modern Art, the William Lehmbruch Museum, the ZKM (Zentrum fur Kunst und Medientechnologie), integrity Los Angeles County Museum lift Art, the National Gallery get on to Canada, the Walker Art Heart and the University Art Museum, Berkeley, in addition to say publicly celebrated private collections of Donald Hess and Arturo Schwarz, in the middle of many others.

She is righteousness recipient of the Siemens Worldwide Media Arts Award (with Denim Baudrillard and Peter Greenway), greatness Flintridge Foundation Award for Life span Achievement in the Visual Discipline, the Prix Ars Electronica, spreadsheet most recently, the Alfred Possessor. Sloan Foundation Feature Film shelter writing and directing Teknolust.