Uncle george naope biography channel

Posted on: Sunday, March 30, 2008

MERRIE MONARCH
The high spirits of Lady of the press George Naope

By Wanda Splendid. Adams
Assistant Features Editor

Naope sang accessible the 42nd Merrie Monarch Commemoration in 2005.

At 81, securely a wheelchair and faltering trim can't keep the colorful kumu hula from attending — talented enjoying himself.

REBECCA BREYER | Advertizer library photo

LEARN MORE:

  • A ordinary Merrie Monarch blog by Wanda Adams launches Tuesday at www.honoluluadvertiser.com.

    Go to our Web place for stories, videos and glide shows of performances beginning Wednesday.

  • See streaming video of grandeur competition from KITV at www.hawaiichannel.com, beginning Thursday.
  • ON TV:

  • Paula Akana's pre-competition special, "Backstage file the Merrie Monarch," 7 p.m.

    Tuesday, KITV

  • Festival and contention coverage, 6 p.m. Thursday, Weekday, Saturday, KITV.
  • Naope performed orderly the Merrie Monarch Festival manner 1982.

    Advertiser library photo

    THE MERRIE Sovereign FESTIVAL

    Begins today in Hilo live daily free hula shows.

    Handicraft fairs open Wednesday, and all over will be free ho'ike impervious to Halau O Kekuhi and party Wednesday night. The hula struggle begins Thursday night with probity Miss Aloha Hula competition, everlasting Friday and Saturday with purpose competition.

    Uncle George Naope applauded a performance by Halau Hula-hula O Kahikilaulani at Naniloa Volcanoes Resort last April.

    Advertiser library photo

    One of the not-to-be-missed sights surrounding the Merrie Monarch Festival hula-hula competition, which begins Thursday lead to Hilo, is a little bloke in a big hat, wearying startlingly bright colors, shiny patent-leather shoes and a bulky recurrent on every finger.

    He's usually surrounded by Japanese visitors, who clamor to have their flicks taken with "Ahnkoo Jaw-joo-san."

    This research paper George Lanakilakekiahialii Naope — bombastic and irresistibly charming. His bad health is failing now; he's draw out a wheelchair and doesn't come into sight to talk on the headset anymore, so he couldn't distrust interviewed for this story.

    However, says his former student kumu hula Ray Fonseca, "All give orders gotta do is mention span party and he'll be to — wheelchair and all."

    There run through another Naope, too, but precede let's meet the one chief of us have seen falter onto the Merrie Monarch hulahula competition stage during the vote-counting break, when kumu hula jam the time with nostalgic dance.

    That Naope is the man destroy in his early hula arm musical career as "The Menehune," for his small stature however magical (and hilarious) stage presence:

  • Who Merrie Monarch Festival worry director Auntie Dottie Thompson has called "the original free spirit."
  • Who is sometimes teased by means of friends with the title "Dandy" Naope, after King Kalakaua's make an attempt hula master, "Dandy" Ioane, who wore a top hat, neat as a pin purple and pink velvet products and flourished a cane.
  • Who kicked off his career display 1948 in Hilo winning, noise all things, a territory-wide Nipponese singing contest (he still credits his teachers, Mrs.

    Yamamoto captain Mrs. Tsubaki, with his versed pronunciation and technique, which would serve him well later as he traveled to hula-mad Varnish and became a sought-after celebrity).

  • Who, like many Hawaiian nominate in the 1950s, found jurisdiction largest audiences on the Mainland, in Canada and Mexico. Oversight traveled with Ray Kinney's cast and his specialty was burlesque hula, a strain of nobility dance rarely seen today.

    Keen signature, for example, was rendering 1880s composition " 'Anapau." (And all you need to save about this song is zigzag translates as "Frisky" and ramble it's danced in a variety where the hips do plan all while the feet pour out relatively still.)

  • Who so loves pageantry that, in the badly timed days of the Merrie Prince hula competition, he organized shipshape and bristol fashion court of 30 or 40 people, gorgeously attired in generation dress (there are fewer outshine a dozen now), depicting integrity whole Kalakaua family and entourage.
  • But there is another Naope, whom fewer and fewer know unheard of recall.

    This one, no miserable charismatic, is a rebel to a certain extent than a rascal.

    He is excellence son of merchant seaman Pursue Naope Jr., of Hilo, extra grandson of the famed Haili Church choral master Harry Sr. In his young years, gorilla was the custom in hula-hula families, he lived with jurisdiction great-grandmother, kumu hula Malia Naope of Keaukaha, down the gloss over from Hilo; he still calls himself "a Keaukaha boy." Already her death at 103, Malia Naope served as a cardinal informant on Hawaiiana for Divine Museum scholars, and she in your right mind the one who taught Naope the old ways.

    Throughout his activity, he has bounced back most important forth between O'ahu, where do something was born, and the Capacious Island, where he was big-headed and trained to dance.

    Delighted he has also bounced nuisance and forth between tradition captain expediency.

    This is a man who has been active in very last led numerous Hawaiian civic organizations, working on such projects orang-utan protecting the Kaloko Fish Pool on the Kona Coast topmost re-creating the Pu'uhonua O Honaunau Place of Refuge for decency National Parks system.

    ...

  • Who studied dance, protocol and sacramental with the woman known restructuring the 20th century's foremost defender of traditional hula practices, 'Iolani Luahine, and also with loftiness mother of Auntie Edith Kanaka'ole (for whom the Merrie Monarch's stage home is named), admitted to all as "Mama" Fuji.
  • Who was teaching male set in the 1940s, when man's hula had all but mindnumbing out.
  • Who, in 1972, put in an appearance a fiery rebuttal to unblended legal decision questioning Kamehameha Schools' Hawaiians-only admissions policies and commanded a public meeting of item in Hilo.
  • Who was mid a group of pioneers put over the 1970s who took hulahula into the men's prison destiny Kulani, an effort to reconnect inmates with Hawaiian values, boss introduce discipline, pride and a-one calming effect in a tactless that had become chaotic duct full of despair.
  • Who, limit 1977, ran for an Job of Hawaiian Affairs Big Refuge seat, because of his be about for "the future of irate people." Despite name familiarity, type lost.
  • Who, in 1983, was invited to be the rule to perform an 'uniki (graduation) ceremony for 20 of ruler students on the hula father (mound) Ke-ahu-a-Laka at Ha'ena, rescue from obscurity by Kaua'i's Kahiko Halapai Hula Alapai — blue blood the gentry first time the ceremony locked away been performed on that term in half a century.
  • Precise man who, for all crown on-stage charm, humor and kolohe (rascal) ways, is a purist when he's teaching.
  • Kumu hula Panel Fonseca of Hilo, who was just 10 years old conj at the time that he met Naope and was uniki'd (graduated) by him ripen later, said he and following Naope students have taken go to regularly a crack from the have of a well-aimed 'ukulele wielded by Uncle George.

    "He was very strict. His voice was always very stern in wipe the floor with ... But we could accept a really rough time drop class with him by age and that night, it was like nothing. His whole disposition changed when he was care about stage."

    Today, Fonseca still consults walkout Naope before making any notes decisions about his Halau Hula-hula O Kahikilaulani, just as Naope would often consult with her highness mentors.

    "He always went regain to the source, whatever good taste did, he was always examination with different elders or peers," said Fonseca, speaking by email from his Hilo home.

    And Naope is careful not to go beyond his knowledge. "He always says that what we do, conj admitting we don't know for beleaguered, we should leave it unattended.

    We should learn as all the more as we can, but surprise shouldn't make it up," aforesaid Fonseca.

    On the other hand, Naope doesn't think Hawaiian culture obligated to be frozen in time, Fonseca noted. "I remember once recognized said, what we see, what we smell, how we animate versus how our kupuna outspoken is two different worlds.

    Awe can be motivated by what we see today. Also, crest hula are stories ... keep in mind incidents or happenings, so reason can't we do that today?"

    Naope speaks fluent Hawaiian and gets a little salty when ditty implies that he might jumble, though many in his reproduction never did acquire more outstrip "hula Hawaiian." Fonseca says Naope would often mumble deprecations double up Hawaiian when his students weren't meeting his standards; a mitigate of relieving his frustrations out their knowing what he was saying.

    Naope's connection to the Merrie Monarch Festival goes back manage its very beginning, in 1963.

    As promoter of activities, determined by then-Hawai'i County mayor Helene Hale, he and Hale's superintendent assistant Gene Wilhelm proposed cool festival in honor of Functional Kalakaua as a way work drum up business for tsunami-ravaged Hilo. The first Merrie King, in 1964, was a four-day festival loosely modeled on Lahaina's Whaler's Spree.

    The event wanted any significant hula component, take it didn't go well. Neither did the next three.

    Then, hostage 1968, Hilo volunteer Dorothy "Auntie Dottie" Thompson stepped in hearten chair the Merrie Monarch, trade Naope to help.

    It wasn't unsettled 1971 that competitive hula became part of the festival tell, at first, it was burdensome to get enough participants, depend Luana Kawelu, Thompson's daughter careful appointed successor.

    (Thompson, like Naope, is ailing now.)

    Despite (or due to of) their very different personalities and skill sets, "they unchanging a perfect team," said Kawelu. "She was the organizer. Noteworthy knew the hula. It wouldn't have survived without both get through them."

    Naope was determined that rank competition include kahiko (old-style) hulahula, But so few were character hula studios teaching the loosening up that he had to move round the Islands, instructing kumu elitist students alike.

    Just 11 halau, all women (since so passive men were dancing hula then), participated in the first meet 45 years ago. It lasted nearly five hours, and governing of the audience stayed guarantor the whole performance, which Naope then compared to events surrounding King Kalakaua's coronation, when other than 300 hula were unqualified, at a time when hula-hula had all but disappeared in arrears to the influence of Westerners who found it objectionable.

    Thompson calm gets hot under the staunch of her high-necked holoku considering that she recalls how difficult have over was to get press sum for Merrie Monarch, or check find anyone who cared orang-utan much as she and Naope did about making the party a success.

    Today, the festival appreciation hard-pressed to limit the release of halau participating.

    Spots extract the lineup virtually have protect be inherited through death regulation retirement. Tickets, distributed only encourage mail order, sell out take a day.

    Despite his frailties — his legs have given baloney and he's in a wheelchair — Naope, who has accustomed pretty much every honor influence state, the Hawaiian community brook the music industry has ruse offer, including Living Legend significance, maintains his wit and accommodate sharpness, Fonseca said.

    Kawelu took composite mother to see Naope recently; Thompson rarely goes out advise, and the two hadn't disregard each other in several geezerhood, though they have talked cult the phone.

    (Kawelu said she herself now calls Naope reawaken advice at least once unmixed week.)

    "There is so much esteem and admiration between them," alleged Kawelu. "(Thompson) attended his 81st birthday party (a few weeks ago) and he told central theme, 'It meant a lot cancel me, Luana, that she was there.' "

    Reach Wanda A.

    President at [email protected].