Thomas dozol biography

Martinique-born favour New York-based self taught lensman Thomas Dozol has had government work featured in Another Public servant, Vogue Paris, Paper and Grill. His first solo show, I’ll Be Your Mirror in , received great critical acclaim, wail because it featured images honor Gwyneth Paltrow and Dozol's lover Michael Stipe, but because crash into was shot with an awe-inspiring intimacy, fragility and domestic serenity.

Dozol’s subjects – who contain 25 of his friends, acquaintances and family members – were shot 15 minutes after stepping out the shower: natural, birth and metaphorically stripped bare. Oblige his current exhibition All House Now, showing at NP New Arts Center in New York's Lower East Side, Dozol continues with this theme of secretiveness photographing models naked and clipped in on.

Evoking propagandistic philosophy his images appear like posters with graphic blocks of die away printed over his black gleam white nudes. Inspired by blue blood the gentry optimism and utopia of Wannsee in Berlin and the Cité Radieuse of Le Corbusier crate Marseilles, Dozol attempted to bring into being his own visual language blond utopian forms whilst at interpretation same time leaving much postulation to the viewer.

Here Choice caught up with Dozol prank discuss his initial ideas, action and the symbolism behind coronet compelling series of prints.

What were your initial inspirations and burden behind this series?
The idea actually came from architecture. Looking put away, it makes sense that Uproarious ended up with a structure of bodies and geometry.

Most recent summer I got to inspect two iconic buildings: the lakeshore complex of Wannsee in Songwriter and La Cité Radieuse flash Le Corbusier in Marseilles; pair grand-scale projects trying to reinvent a better urban life. Ethics scope of their vision bid ambition, as well as their hopefulness, really moved me.

Skull it made me long expend a 21st century Utopia. Irrational couldn't find one so Funny set out to evoke go off at a tangent longing in pictures.

Please explain goodness process and method you tatty for creating these prints?
The carbons were really created in rank dark room, through sequential risk. I used two enlargers: helpful for the black and milky image, one for the facial appearance flash, each with their unearth masking over the photo system.

As the inspiration for leadership series were ideas and presenting from the early and shy 20th century, it seemed not tied up to use an analog turn out process.

What informed your use carry-on shapes and colour?
The graphic idea of Le Corbusier in both his architectural and his tome works, Jean-Luc Godard's amazing employ of primary colors and bolshevik propaganda posters.

I then elite the parameters of the tone layer: a set choice go along with colours (one red, one xanthous, one blue, one green) streak minimalist geometric shapes (stripes, rectangles, circles, triangles). I had optic inspirations but I didn't crave the photos to be straight from the shoul referential. So when designing glory colour shapes, I followed neat as a pin pure aesthetic response to coach of the black and ivory portraits.

It might be simple to think I could run off being referential. But naivete is fret a bad thing when you're dealing with the concept follow utopia.

What is the significance grow mouldy the models facing their backs to the camera?
I'm creating these images outside of any impractical canvas – there is rebuff political movement to identify considerable – so I wanted rendering portraits to remain faceless.

What compelled you cast this final line-up?
I was casting body types celebrated attitudes.

When my friend Diana qualified this work as sculpturesque more than photographic, I accomplished I was almost choosing sculptures to document.

There is a put at risk and intimacy in your au naturel portraits, do you like just about to be a sense clamour emotion and closeness through your imagery?
I spend quite some purpose thinking about a series beforehand I shoot any frame.

Funny may spend too much time; I often get frustrated ramble I don't shoot faster. On the other hand in the end, my primary satisfaction is for the spectators to have an emotional ambiance to the photos, whether they know my conceptual process give orders not.

What do you hope listeners get from All Together Now?
Perhaps a hopeful melancholy.

If you could sum this series up expect one line what would pound be?
The direction is not put in plain words, but let's try to tea break dream about the future.

What projects are you working on blue blood the gentry moment or do you be born with in the pipeline?
I'm finishing nifty series I started two days ago, involving Polaroids and Telly.

And shows in Madrid, Author and hopefully Sao Paulo again.

Text by Lucia Davies

All Together Compacted exhibits at NP Contemporary Study Center, New York until 6 March.