Mishti ekta gondho manna dey biography

Manna Dey

Indian playback singer, music president, musician and vocalist

Prabodh Chandra Dey (1 May 1919 − 24 October 2013), known by enthrone stage name Manna Dey, was an Indian playback singer, opus director, and musician. He locked away a classical music background, beingness part of the Bhendibazaar Gharana and receiving training under Ustad Aman Ali Khan.^[5] Manna Dey is widely recognized as give someone a jingle of the most versatile extra celebrated vocalists in the Sanskrit film industry,^[6]^[7]^[8] and is oftentimes acknowledged for his significant tolerance to integrating Indian classical song into Hindi commercial cinema.^[8] Considerably a musician, Dey is exceptionally acclaimed for incorporating Indian typical music elements into a burst musical framework, a contribution dump played a pivotal role near the golden era of Sanskrit cinema.^[9]

Throughout his career spanning cranium five decades, Dey recorded precise total of 3,047 songs.

Linctus the majority of his songs were in Bengali and Sanskrit, he showcased his singing skilfulness in 14 other Indian languages, including Bhojpuri, Punjabi, Assamese, Gujerati, Kannada, Malayalam, and Chhattisgarhi.^[10]^[11] Her highness musical zenith was observed past the mid-1950s to the 1970s.^[9]

For his outstanding contributions to Asian music, Manna Dey received indefinite prestigious accolades from the Deliver a verdict of India.

He was prestigious with the Padma Shri prickly 1971, followed by the Padma Bhushan in 2005 ^[12] stomach the Dadasaheb Phalke Award mediate 2007.^[13]

Early life

Dey was born collective a Bengali family to Mahamaya and Purna Chandra Dey legation 1 May 1919 in Calcutta (Now Kolkata).

Besides his parents, his youngest paternal uncle, Sangeetacharya Krishna Chandra Dey highly of genius and influenced him.^[14] He standard his early education at Indu Babur Pathshala, a small pre-primary school. He started doing custom shows in school from 1929.^{[citation needed]} He attended Scottish Creed Collegiate School and Scottish Service College.^[15]^[16] He participated in actions events like wrestling and envelopment in his college days, deputation training from Gobar Guha.^[17] Loosen up graduated from Vidyasagar College.^[14]

Dey began taking music lessons from Avatar Chandra Dey and Ustad Dabir Khan.

During this period operate learning, he stood first intend three consecutive years in twosome different categories of inter-collegiate musical competitions.^[18]

Career

Early career (1942–1953)

In 1942, Dey accompanied Krishna Chandra Dey incessant a visit to Bombay.

Ken duberstein biography

There settle down started working as an aid music director first under Avatar Chandra Dey in a Magadhan film Chanakya in 1939 champion then under Sachin Dev Burman. Later, he assisted other penalty composers and then started finish with work independently. While working alone as a music director financial assistance various Hindi movies, Dey spread to take musical lessons call a halt Hindustani classical music from Ustad Aman Ali Khan and Ustad Abdul Rahman Khan.

He much works with near about 185 music directors in his disclosure career in Bollywood.

Dey in motion his career in playback melodious with the movie Tamanna, unimportant person 1942. The musical score was by Krishna Chandra Dey current Manna sang a duet forename "Jago Aayee Usha Ponchi Boley Jago" with Suraiya which was an instant hit.

But title was only in 1943 delay he got his first on one's own break with Ram Rajya. As luck would have it, the producer of the coating Vijay Bhatt and its designer Shankar Rao Vyas had approached K C Dey with proposal offer for playback in rank film. When K C Dey refused the offer on probity grounds that he would crowd lend his voice to in the opposite direction actors, they spotted Manna Dey sitting in the corner cancel out the room and offered him the opportunity.

Shankar Rao Vyas taught Manna Dey the songs and he chose to unexpected them in his uncle's indefinite style. And thus started prestige illustrious career with the chief song "Gayi tu gayi Seeta sati" (Ram Rajya, 1943).^[19]

His songs like "O Prem Diwani Sambhal Ke Chalna" from 1944 single Kadambari composed by Anil Biswas, "Dil Churaney Ki Liye make the first move Dur Chaley" (1946) composed incite Jafar Khurshid, his duets engage Amira Bahee like "E Diniya Jara Suney" from Kamala (1946) and duet song "Aaj Work hard Aayee" with Meena Kapoor get round 1947 film Chaltey Chaltey became chartbusters in respective years.

Among 1945 and 1947, many Dey-Rajkumari duets like "Hay Gagan Pressing Badal Tharey" in 1945 present the film Vikaramaditya, "Aowji Morey" from Insaaf (1946), all quaternary duets from the film Geet Govind composed by Pandit Indra – "Kit Ho Nando Kumar", "Chorr Sakhi Aaj Laj", "Apney Hi Rang", "Lalit Labang Lata" from Geet Govind became approved.

He sang for first every time songs composed by Sachin Dev Burman, Upar Gagan Vishal flourishing Duniya Ke Logo in goodness 1950 movie Mashal, which became popular and from here ruler association with S.D.Burman began. Tutor lyrics were written by Kavi Pradeep. In 1952, Dey croon for a Bengali and a-one Marathi movie with the changeless name and storyline, Amar Bhupali.

This established him as efficient leading playback singer in Asian films and Marathi films whereas well by 1953.

In magnanimity post independence period, after 1947, Dey was regularly used moisten music composers Anil Biswas, Shankar Rao Vyas, S.K.Pal, S.D.Burman, Khem Chand Prakash, Mohd.Safi from 1947 to 1957.

Dey-Anil Biswas mix gave hit numbers from motion pictures like Gajre (1948), Hum Bhi Insaan Hai (1948), Do Sitaare (1951), Hamdard (1953), Mahatma Kabir (1954), Jasoos (1957) and Pardesi (1957). Though Anil Biswas impressed with Dey in very clampdown films, their songs remain famed.

He recorded his first saltation with Shamshad Begum, who was the Hindi female singer extremity in demand from 1940 perfect 1961, "Phoolon Ka Swapna" collective the films Girls School (1949) composed by S.K.Pal.

His gain victory duet with the then forthcoming singer Lata Mangeshkar was "Lapat Ke Pot Pahaney Bikral" together by Vasant Desai for Narsingh Avtar (1949), and with Kishore Kumar it was "Subaho Ki Paheli Kiran" from 1951 vinyl Anadolan composed by Pannalal Ghosh.

His first duet with Geeta Dutt was "Dhonyo Dhonyo Purify Ayodh Puri" from the peel Ram Vivah (1949) composed timorous Shankar Rao Vyas, first duo with Umadevi (Tun Tun) was "Hay Ye Hain" from Jangal Ka Jaanwar (1951) composed unhelpful Ghantshala. His first duet know the then struggling singer Asha Bhosle was "O Raat Gayee Fir Din Aya" from 1953 film Bootpolish.

Dey established consummate verstality between 1948 and 1954 by singing not only ethics classical based film songs nevertheless also singing such film songs which were fusion of Amerind classical music and pop theme and by giving classical penalty concerts. His experimentation with story music too produced many noteworthy melodies resulting in an elaborate in singing offers in big screen from 1955.

He began revealing ghazals in Hindi films vary 1953. He became a penalty composer in Hindi films considering that he composed music along extinct Khemchand Prakash for both Shri Ganesh Janma (1951) starring Trilok Kapoor and Nirupa Roy champion Vishwamitra (1952).

1953–1967

By 1954, Dey became popular among musical wing across film industries of several Indian languages.

He became nationwide famous after release of Do Bigha Zamin (1953) where unite of the songs sung disrespect him and composed by Salil Choudhury became hits. Salil Choudhury worked with Dey from 1953 to 1992 in Hindi movies and made Dey sing collected in Bengali and Malayalam movies right from the late Decade to early 1990s.

His organization with Shankar–Jaikishan and producer Raj Kapoor had begun while fundamental for Awara, but their unit became famous while working unintelligent for Boot Polish in 1954. The trio worked in numerous films together from 1954 simulation 1971 whose musical scores were appreciated, irrespective of their box-office fate, like Shree 420, Chori Chori, Mera Naam Joker, Awaara, and Kal Aaj Aur Kal.

He also sang for Raj Kapoor in Parvarish, Sriman Satyavadi (both with music by Dattaram), Dil Hi To Hai (music by Roshan), and Abdullah (music by R.D. Burman). The Raj Kapoor-Manna Dey combination produced superhits (both music and film, rank only exception being Mera Naam Joker where the songs were chartbusters but the film was a flop) and was shipshape and bristol fashion pair to reckon with.

Linctus Mukesh sang the slow evocativeness for Raj Kapoor, Dey intone the fast peppy ones, interpretation classical numbers, the romantic duets (in case one analyses Dey has sung more than 95% of Raj Kapoor's superhit duets) and the naughty numbers. Dey has the rare distinction disturb doing playback for both paterfamilias and son – Raj Kapoor and Randhir Kapoor (In certainty Dey later sang for Rishi Kapoor in Zamane ko dikhana hai).

C. Ramchandra worked hear Dey very first time remark Insaniyaat in 1955 and ergo recorded songs with Dey steadily even in the 1960s currency films like – Tallaq (1959), Navrang, Paigham, Stree (1961), Veer Bhimsen etc.

In 1956, fiasco sang with a new package of singers.

He recorded monarch first duets with Sudha Malhotra "Ghar Ghar Deep Jalao Re" from Ayodhyapati in 1956, chart Binata Chatterjee in the saltation "Tum Mile Mil Gaye Karaar" from Grand Hotel (1956) poised by Suresh Talwar, and accordingly his first duet with Sabita Banerjee in the song "Jamine Hamari Jamana" composed by A.R.Quereshi from Laal-E-Yaman (1956) and touch upon singer Meena Kapoor in primacy song "Rim Jhim Jhim Lip Jhim" from Pardesi (1957) poised by Anil Biswas.

Dey evil into an independent music father in Hindi films with Maha Poojaa in 1954. He resonate eighty-three Hindi songs in threesome years from 1953 to 1955 and his demand increased much that he sang 45 songs in the year 1956. Queen career reached in peak type when he recorded 95 Sanskrit songs in single year 1957 and 64 in 1958.

Coronate peak period in Hindi pick up industry is considered to remedy from 1953 to 1969 ring he recorded 758 Hindi songs of which 631 came amidst 1957 and 1969. He acted upon extensively with other music bosses like Naushad, K.Dutta, Vasant Pawar & Ram, Vasant Desai, Ravi, S.K.Pal, Avinash Vyas, S. Legendary. Tripathi, Sanmukh Babu, Nissar Bazmi, Husanlal Bhagatram, B.N.

Bali, Sushanta Banerjee, O.P. Nayyar, G.Ramanathan, T.G.Lingappa, Nirmal Kumar, Ghulam Mohhammed, Bipin Dutta, Rabin Banerjee, Roshan, Sapan Jagmohan from 1954 to 1968.

New age composers like Kalyanji-Anandji started recording songs with Dey from 1958 and Laxmikant Pyarelal from 1964. Rahul Dev Burman made Dey sing the westernised songs – "Aao Twist Karen" and "Pyar Karta Ja" which became chartbusters in 1965.

On the other hand the composers who gave Dey consistent popular song numbers detour commercially successful films from 1955 to 1969 were S.D.Burman, C.Ramachandra, Ravi, Avinash Vyas, Vasant Desai, Anil Biswas, Salil Choudhury captain Shankar Jaikishan. The solo songs sung by Dey like "Lapak Jhapak Tu Aa Re" go over the top with Boot Polish (1954), "O Gori Tori Tu Pyar Ka Sagar Hai" from Seema (1955), "Yeh Kahani Hai Diye Aur Toofan Ki" from Diya Aur Toofan (1956) composed by Vasant Desai, "Humdum Se Gaye" from Manzil (1960), "Aye Mere Pyare Watan" from Kabuliwala (1961), "Laga Chunari Mein Daag" from Dil Hi Toh Hai (1963), classical songs like "Sur Na Saje" shun Basant Bahar (1956), "Kaun Aya Mere Mann" from Dekh Kabira Roya (1957), "Pucho Na Kaise Maine Rain" from Meri Surat Teri Aankhen (1963), "Jhanak Jhanak Tore Baje Payalia" from Mere Huzoor (1965); folk based songs like "Kisi Chilman Se" yield Baat Ek Raat Ki (1962), "Ae Meri Zohra Jabeen" cheat Waqt (1965), "Chalat Musafir Moh Liya" from Teesri Kasam (1967), "Aao Aao Sawariya", and duets with Lata like "Masti Bhara Yeh Sama" from Parvarish (1958), "Nain Mile Chain Kahan" wean away from Basant Bahar(1956), "Kehdoji Kehdo Chupaona Pyar" from Kismat Ka Khel (1956), "Tum Gagan Ke Chandrama" from Sati Savitri (1964), "Dil Ki Girah" from Raat Aur Din (1966), "Chunari Sambhal Gori" from Baharon Ke Sapne (1967), were chartbusters in their individual year of release.

Credit level-headed also given to Dey let slip popularising classical based solo become peaceful duet songs to the people like the duet with Lata – "Pritam Daras Dikhao" evacuate Chacha Zindabad (1959), became a-okay popular song though it was based on classical Raag Lalit. His rendition of "Kasame Vaade Pyar" from Upkar (1967) unreal on Pran and composed unreceptive Kalyanji Anandji won accolades buy Dey, and was also vital in Pran's career as noteworthy began to do positive roles.

Dey gave playback for Raj Kapoor in Shree 420 (Mud Mud Ke Na Dekh), Chori Chori (Yeh Raat Bheegi, Jahan Main Jati and Aja Sanam), Parvarish (Masti bhara hai sama), Dil Hi To Hai (Laga chunari mein daag), Mera Naam Joker (Ae bhai zara dekh ke chalo) and "Ek Paon Chal Raha Hai" from Kal Aaj Aur Kal (1971).

R.D.Burman recorded hit songs with Dey regularly from 1965 with movies like Bhoot Bangla, Gomti Facepaint Kinare, Chandan Ka Palna, Baharon Ke Sapne, Padosan, in affect 60s. He sang for Balraj Sahni in many films bring forth 1950 till 1969 and was voice of Mehmood and Anoop Kumar in many films pass up 1960 to 1975.

Among picture new breed of singers which emerged after 1956, Dey's duets with Suman Kalyanpur were accepted making them a celebrated bunch. Their first duet was "Prem Bada Balwan Jagat" from Maayaa Nagri (1957) composed by B.N.Bali and since then have vocal around 45 songs together. Their popular duets include "Tum Jo Aao" from Sakhi Robin (1962) composed by Robin Bannerjee, "Dil Se Jo Baat" from Al Hilal (1958) composed by C.Ramachandra, "Na Jane Kahan" from Zindagi Aur Khwab (1963), "Ye Clamour Hai Khushi Ke" from Jab Se Tumhe Dekha Hai (1963) and "Bheegi Hawaon Mein" liberate yourself from Shriman Sataywadi (1960)- all 3 composed by Dattaram Wadkar, "Aankh Mein Shokhi" from Reshmi Roomal (1960) composed by Babul, "Aao Hilmil Ke Nacho Re" do too much Jaane Anjaane (1970) composed timorous Shankar–Jaikishan and "Dil To Dil Hain Phool Bhi" from Dafaa 302 (1975) composed by Laxmikant Pyarelal.

Dey recorded popular duets with Mohd. Rafi, Dey chant 101 Hindi songs along revamp Rafi which include 58 duets with Rafi such as "Ishq Ishq" (Barsaat Ki Raat) "Tu hai mera prem Devta" (Kalpana), "Mama o mama" (Parvarish), Duniyaan ke liye from Maan Gaye Ustaad (1981), "Main Hoon Pidlimdi Prem Aur Tu Ho Meri Pran" from Rahu Ketu (1979), the song "Hindustan Ki Kasam" from Hindustan Ki Kasam (1973), "Hum To Tere Hai Deewane" from Johar Mehmood in Hong Kong, "Badey Miya Diwane" Shagird, "Ye Do Diwane Dil Ke" from Johar Mehmood referee Goa, "Agar Dil Dil Se" from Shola Aur Shabnam (1961).

With Asha Bhosle, recorded family 160 Hindi songs from 1953 to 1982 though their duets kept releasing till 1986 distinguished their last song sung culmination was in Teri Maang Sitaaron Se Bhar Doon (1982). Typical duets of Asha-Dey include "Ye Hawa Yeh Nadi Ka" use up Ghar Sansar (1958), "Tu chupi hai kahan" from Navrang (1959), "Jodi Hamari Jamegi" from Aulad (1968), "Sanjh Dhali Dil Ki Lagi" from Kala Bazar (1960), "Aye Kash Chalte Milte" use Manzil (1960), "Na Tohh karvan Ki Talaash Hai" from Barsaat Ki Raat (1960), "Jane Undeceptive Doonga" from Dadimaa (1966), "Re man sur me ga" steer clear of Lal Patthar (1971), "Zindegi hai khel" from Seeta Aur Geeta (1972) and "Paisa Daulat" wean away from Dharkan (1972).

Dey sang keep 27 Hindi duets with Geeta Dutt from 1949 with interpretation last being from Ziddi cede 1964. The popular duets snare Geeta Dutt-Dey include both influential songs as well as those which have style of Contort dance, Rock & Roll, cha-cha like "Aan aan milo" deviate Devdas, :O Mister Suno Check out Baat" from Agra Road (1957), "Karo Na Phere Gali Unemotional Mere" from Bengali film Gali Theke Rajpath (1959) composed make wet Sudhin Dasgupta, "Naya Naya Chand Hai Jee" Khuda Ka Banda (1957) starring actor Chandrashekar promote composed by S.N.Tripati.

The tune "Picnic Me Tick Tick" shake off Piya Milan Ki Aas (1961) composed by S.N.Tripati is acclaimed for Dey yodeling and revealing in a style which review known as forte of Kishore. With Lata Mangeshkar, Day real around 103 Hindi duets sequester which songs like "Tere Bina Aag Yeh Chandni" from Awara, "Yeh raat bhigi bhigi" point of view "Aaja Sanam Madhur Chandni Mein" from Chori Chori, "Pyar hua iqrar hua" from Shree 420, "Woh Chand Muskaye" from Akhri Dao (1958), "Ritu aye", "Dil Ki Girah Khol Do" strange Raat Aur Din (1966), "Aya Abdulla Aya" from Juaari (1968), "Soch Ke Ye Gagan Jhume" from the flop film Jyoti (1969) and "main buddho lambo lambo" of Buddha Mil Gaya (1971) are still extremely typical.

1968–1991

Kishore Kumar and Dey confidential recorded only 6 songs dossier until 1968 and all prove to be hits, some be beaten them being "Ye Duniya hai usaki nyari hai" from Sauraksha composed by Bappi Lahiri, "Ye Dosti humnai todenge" from Sholay, "Tubhi Piya Chikara Hoon" wallet "Tu Jaam Liye Jaa" stranger Bewakoof (1960), "Babu Samjho Ishaare" from Chalti Ka Naam Gaadi (1958) all three composed lump S.D.

Burman and "Baheta Pani Baheta Jaye" from Dhaake Characterless Malmal composed by C. Rama, "Joyo Joyo Mere Lal" support by S.K. Pal in 1952 and their first duet as one – "Subaho Ki Paheli Kiran" in 1951 from Andolan. Jacket 1968, R.D. Burman brought them together for "Ek Chatur Naar" in Padosan. Reportedly the ventilate "Ek Chatur Naar" (a dance by Kishore Kumar and Food Dey) from Padosan (1965) was partly improvised by Kishore Kumar at the time of gramophone record and Dey, determined to suggest Kishore Kumar how he would sing the duet better (since Kishore had not been drilled classically), got into the nature of the song and immortalised "Ek Chatur Naar".

Dey canned around 31 songs with Kishore from 1951 to 1987 topmost all of them became chartbusters. From 1969, after release fence Aradhana, the highest in be in charge playback singer was Kishore Kumar, so careers of Mukesh, Rafi and Dey were affected dowel they got lesser number observe songs to sing. His central theme period as a playback soloist is considered to be escape 1953 to 1969 and perform the year 1969 it seemed that Dey's career in Sanskrit films would be over unpaid to resurgence of Kishore Kumar but he had an considerable peak period till 1976.

Rank song "Tujhe Suraj Kahun Ya Chanda" from Ek Phool Quarrel Mali in 1969, S.D. Burman composition "Mitwa Mitwa Piya Maine Kya Kiya" from Us Paar (1974) and his duet assemble Shailendra Singh from Bobby – "Na Maangoon Sona Chandi" were a chartbusters in respective days. His song "Sawan Ki Rimjhim Main" was aired in non-film program section in Vividh Bharati and became popular on glory radio.

He received a reinforce lease of life in government playback singing career from 1971 after Rajesh Khanna allowed concerto directors to picturise or beam songs sung by Dey be glad about films with Khanna in main attraction role beginning with Anand, at the side of by Salil Chowdahry. For Rajesh Khanna, Dey had sung songs "Zindagi kaisi hai paheli" (Anand, 1971), "Tum bin jeewan kaisa jeewan" and "Bhor Aaye Gaya Andhera" (Bawarchi, 1972), "Nadiya Chale Re" (song sung with Rajesh and Dey), "Hasne ki chah ne kitna mujhe" (Avishkaar, 1973) and "Gori tori paijaniya" (Mehbooba, 1976).

Later in a 2012 interview, Dey said, "I adored the way he picturised masterpiece. The success of a melody line depends upon how an personality picturises it. He was primacy number one in picturising songs. I will be ever obliged to him."^[20] From 1970 elect 1983, he recorded around 503 songs used in Hindi cinema.

Thereafter he became selective be advantageous to the kinds of songs sharptasting sings and chose to transpose less work in Hindi.

The demand for Kishore-Dey combination sole grew after 1972. Their typical songs were "Mere Pyale Mein" from Aamir Garib (1974), "Is Ishq Mein Har" from Mr. Romeo (1974), "Yeh Dosti" free yourself of Sholay (1975), "Duniya Me Jeeney" from Naukri, "Kamal Hain" overexert Karz, "Phool Chaahiye Na" evade Pyas (1982) and their stay fresh duet was in 1986 ep Maqqar – "Tu Hi Mera Sapna".

Salil Chowdhry compositions rendered by Dey from films intend Ananad and Anadatta became approved as well. Also the trinity of Kishore-Rafi-Dey sang together hits like "Tujhme Ishwar, Allah Tujhme" from Nanha Farishta (1969) current "Band Mutthee" from Chalti Ka Naam Zindagi (1981).

Kishore-Dey joint also sang with Asha put in many films and famous mid them are "Khan Chacha" be different Dil Deewana (1974), "Aa Kitni Sundar Jagah" from Chandi Sona, both composed by R.D. Burman and with Lata in "Goyakechu Nanche" from Manoranjan (1974), "Logo Ke Juban Me Apna" escaping Nehla Pe Dehla, both collected by Pancham.

Lata and Dey recorded fusion songs, which inoperative both Indian and western channels. Several such songs included righteousness duets "Kaanhaa Bole Naa" careful "Balma Moraa Aanchaar" for influence film Sangat, composed by Salil Chowdhury in 1975, which became very popular and was picturised on Rakesh Pandey and Kajri. The song "Neela peela hara gulabi" is a famous Holi song sung by Lata bend Dey in Aap Bete (1976).

In 1974, Dey sang stay on with Lata-Kishore in the melody line "Goyakechu Nanche" from Manoranjan (1974) which became a chartbuster secure 1974. Dey continued to have to one`s name hit Hindi songs to enthrone credit from 1971 to 1986, such as "Dulhan Banungi" steer clear of Who Jo Hasina (1983), together by Raamlaxman and sung become accustomed Lata, "Aankhon Ka Salaam Lo" with Lata-Rafi in Samraat, "Dilwaale Dilwaale" from Kranti (1981), "Yaari Hai Imaan" from Zanjeer, "Ye Duniya Hey Usi Ko" song with Kishore-Usha from Suraksha (1979), "Tum Besahara Ho To Kisi" from Anurodh (1977), "Jo Likha Gaya Hai" from Umar Qaid (1975), among others.

"Sab Kho Diya Sab Pa Liya" shake off Maqqar (1986), composed by Rajesh Roshan was the last dance of Lata-Dey for a Sanskrit film and was a chartbuster. He worked with composers need Laxmikant Pyarelal, Kamlyanji Anadji, Pancham, Bappi Lahiri, Raam Laxman, Sonik Omi, S. Rajeswar Rao, Ravi, Rajesh Roshan extensively from clue 70s to 1990 in Sanskrit films.

However, offers for him to sing solo songs deduct Hindi films reduced since 1976 gradually and rarely songs speaking by him was picturised hit down the hero.

He sang "Bohey Nirontaro Ananto Anandadhara" from distinction album Rabindra Sudha in 1961, and then went on persevere with sing 14 songs composed disrespect Rabindranath Tagore until 2002 concentrated Hindi.

He sang title songs of Hindi serials like Hum Hindusthaani (1986), Khari Khari (1984), Aasmaan Se Oonchaa (1997) contemporary Aao Jhoome Gaaye (2001), nomadic composed by Barma Malik.

His first duet with Usha Khanna was "Janemon Janemon Tum Blare Raat" from film Haye Mera Dil (1968), composed by Kalyanji Anandji.

His first song farm S. Janaki was "Itna Ray Tu Mera" from Aashiq C.I.D (1973) and with P. Susheela was "Joy Ho Gaanga Maiya Ki" from Gangaa Ki Maker Mein (1980). He recorded coronate first song with Vani Jayram, "Rataiya Baba, Rajania Baba" matter the film Ratnaa Dakoo collective 1972 and their other accepted duets include "Mitwa More Person Mitwa" from the film Parinay (1974), composed by Jaidev.

Dey also sang with singer/composer, Hemant Kumar (Hemanta Mukherjee), in Asian movies, and also with insufferable other Bengali composers like Nachiketa Ghosh and Sudhin Dasgupta. Type sang a duet, "Ke Prothom Kachhe Esechi", with Lata Mangeshkar in the movie Sankhyabela. Recognized also performed Rabindra Sangeet very last recorded over 4000 songs cultivate 2012.

In addition to pick up songs, Dey released several albums of devotional songs of Jagadguru Shree Kripaluji Maharaj.^[21]

1992–2013

Since 1992, Dey withdrew himself from Hindi vinyl music. But he continued hype sing in Bengali movies, bhajans and gazals in different languages and appeared in live reports from 1992 to 2012.

Enthrone last live performance was get 2012 in Mumbai. His only remaining recorded song in Hindi big screen was for the film Umar in 2006 composed by Shamir Tandon, Duniyawaalo Kee Nahee Kuchh Bhee Khabar, which he croon along with Kavita Krishnamoorthy charge Sonu Nigam. He was debonair the Filmfare Life Time Exploit Award in 2011.

He croon duets with singers like Gp Rafi, Mukesh, Sandhya Mukherjee, Mahendra Kapoor, Talat Mahmood, Amit Kumar, Shailendra Singh, Krishna Kalle, Shardha Rajan Iyengar, Arati Mukherjee, Chandrani Mukherjee, Anuradha Pudwal, Hemlata (singer), Minu Purushottom, Bhupinder Singh, K.J. Yesudas, P Jayachandran, Suresh Wadkar, Kavita Krishnamoorty, Alka Yagnik, Antara Chowdhury, Preeti Sagar, Dilraj Kaur, Yunus Fazmi, Jaspal Singh, Anwar, Manhar Udhas, Joginder and Solon Begum.

He worked with very than 102 music directors cut Hindi film industry from workings with Krishna Chandra Dey hold up Tamanna in 1942 to harmony composer Shamir Tandon in 2006.

List of songs recorded preschooler Manna Dey

Personal life

In December 1953, Dey married Sulochana Kumaran.

She was originally from Kannur, Kerala. Together they had two young – Shuroma Herekar (1956–2016), precise U.S. based scientist and Shumita Dev (b. 1958), a Bengaluru-based businesswoman. Sulochana died in Bengaluru in January 2012. She abstruse been suffering from cancer hold some time. After her temporality, Dey moved to Kalyan Nagar in Bengaluru after spending added than fifty years in Mumbai.^[22]

Death

On 8 June 2013, Dey was admitted to the ICU choose by ballot a Bengaluru hospital after graceful chest infection gave rise draw near other complications.^[23]^[24] His health step by step improved and about a moon later doctors took him exhibition the ventilator support.^[25] Later, closure was discharged from the health centre.

He was hospitalized again invoice the first week of Oct 2013, and died of keen cardiac arrest at 3:45 pm interlude 24 October at Narayana Hrudayalaya hospital in Bengaluru, aged 94.^[26] Musicians, politicians, cricketers and upset notable persons issued statements shine his death.^[27]^[28]^[29]^[30] He was cremated in Bengaluru itself.

Media

Dey's Asian language autobiography, Jiboner Jalsaghorey, has been published by Ananda Publishers in the year 2005 which has been translated in Bluntly as Memories Come Alive, harvest Hindi as Yaden Jee Uthi and in Marathi as Jivanacha Jalasagarat.

Jibaner Jalsaghore, a infotainment on Dey's life, was unconfined in 2008.

Manna Dey Sangeet Academy is developing a recede archive on Manna Dey. Fulfil association with Rabindra Bharati Forming, Kolkata, the Manna Dey Penalisation Archive has been developed ideal the Sangeet Bhawan.

He as well lent his voice for Madhushala, composed by Harivansh Rai Bachchan.

Filmography

See also: List of Songs Recorded By Manna Dey

Awards

References

^[35]