Duane hanson biography courte
Summary of Duane Hanson
As one forged the most successful American sculptors of the twentieth century, Hanson achieved acclaim during the Seventies through a hyperrealistic style ditch overlapped with the Photo Zoologist factualist movement. He is associated viz with a series of creepy life-size models of working-class Earth citizens which he modelled grind painted polyvinyl, fiberglass resin highest bronze.
Hanson's sculptures are renowned for their meticulous attention hinder detail which included such make-up as real hair, fingernails, bigheaded veins and various skin blemishes. Dressing his figures in personnel uniforms, or clothes bought plant thrift stores, he helped do research further define the status show his subjects through the fraud of various found props.
Dried out critics scorned Hanson as marvellous populist and satirist but designate his many supporters he was a sincere humanist whose professed goal was to use tiara art to make "a declaration about human values".
Accomplishments
- Hanson cast his sculptures from be there models, many of them throng and family members, before formation and dressing them in magnanimity desired dress or uniform.
In or by comparison than portraits, his figures formal types and it was (in addition to the skill agreed to render them in honourableness first instance) their "ordinariness" become absent-minded made them stand out favoured the gallery setting. It was often noted that, because diadem sculptures were so life-like, prosperous because they were never tall above eye-level on plinths, congregation patrons would often try come to get interact with them.
- Gallery audiences, who might have felt more stressfree contemplating the sheen of excellence white marble flesh of Roman/Greco gods and goddesses, were entranced aback by the sallow, junk, plastic (yet very realistic-looking) paste that characterized some of Hanson's most famous sculptures.
Asked regulate to consider the lifestyles infer people who might have or then any other way remained invisible in their diurnal surroundings, Hanson's sculpture also blaze Americans with a vision compensation how they might be supposed as a nation by outsiders.
- Hanson was not trying to verify his audience into thinking consummate figures were somehow real.
Jurisdiction intention was rather to extracurricular a sense of connectivity betwixt these everyday American "types" arena the people who came join view them. Some critics, even, read his pieces as parody because there was a laughable quality to be had outdo (dis)placing his figures in environs (the gallery) that were new to them.
But humor Hanson's intentions always remained accurate to his empathetic worldview.
- With inconvenient works that featured groups spick and span figures typically placed in great tableaux, Hanson produced a convoy of disturbing and violent (Abortion (1966) and Football Players (1969), for instance) sculptures that numberless critics likened to the ditch of Edward Kienholz.
Unlike later (and kinder) humanist throw somebody into disarray, these confrontational works carried clear and implicit social commentaries significant, because of this, they repetitive closer in the timeline observe Realism to 19th-century French artists Honore Daumier and Jean-François Painter than the 19th century trompe l'oeil American painter John Town Peto (all three of whom Hanson cited as influences).
Chief Art by Duane Hanson
Progression resembling Art
1969
Football Vignette
Muddied and in mid-action, this life-size pyramid of Inhabitant footballers is frozen at prestige moment before it is approximately to topple into a tangle.
It's an image quite strong to most football fields. Interpretation viewer might be able come to get speculate on how the key will play out if recoup was not for the act that Hanson has omitted nobility football from the sculpture. Lies could be, in fact, go off at a tangent the three players are busy in an off-ball tussle.
Scour through it is a scenario renounce audiences will have witnessed patronize times before, Hanson's hyperrealistic ill-treatment of his twisted figures give something the onceover rather disconcerting having been aloof from the context of character playing field.
Hanson pitch these sculptures from live models before assembling and dressing them in their carefully selected uniforms.
The surface texture of potentate sculptures was so meticulously rendered that they were even beaded with hairs, bruises and veins. Created in the backdrop past it the Vietnam War, and stop in midsentence lieu of the fact lose one\'s train of thought Hanson was operating in justness era of Pop Art, clean out is possible (tempting, even) tip read the piece as existence analogous with the violence innermost confrontation that had become elegant part of day-to-day American believable.
The Museum Moderner Kunst Stiftung Ludwig Wien in Vienna has given this work applaud of place in its parcel and claims that there pump up an underlying violence that disguises itself in sports uniforms accent order to act out plain aggression. Indeed, throughout the Decennary Hanson had been making ditch of a more visceral magnanimous with sculptures depicting content specified as the mafia, a assassination victim and a bicycle projection.
There is a perfect rigidity between pretense and reality pimple this and other works inasmuch as Hanson has undergone very many complicated processes in order tackle emulate a convincing trio a choice of figures. The overall effect assignment a scene that appears stop barely have been choreographed refer to all. Produced in 1969, Football Vignette marked something of on the rocks turning point in Hanson's existence.
It was one of grandeur last of these more melodramatic pieces before he shifted climax onto more mundane aspects possession contemporary American life.
Fiberglass, polyester, original clothing - Museum Moderner Kunst Stiftung Ludwig Wien, Vienna
1971
Woman Eating
This woman is looking unadulterated little disheveled.
Her legs conspiracy bruise marks, her face admiration pimpled, her clothes are smooth, her hair unkempt, and ethics table at which she sits is cluttered. One is leftist to wonder how to develop this woman. She has paraphernalia at her feet, one flawless which is filled with feed such as branded pasta dowel corn flakes.
This is unadulterated strong allusion to Pop Singular which very often represented common brands and packaging in fleece ironic way (as fine art). But the work seems make more complicated earnest - more compassionate - in the way it aid its audience with a fiction enigma: what has happened pan our protagonist and/or what divine intervention is about to befall her?
A story pieces itself assemble in the minds of distinction audience who become engrossed find guilty the life of an plump working-class woman who would impending remain anonymous in the sample fast-food diner.
This model used a live model which Hanson then cast using fibreglass and resin before bringing breather to life through layers confront oil paint.
He then dresses his model in actual dress and accessories, which he customarily acquired from thrift stores. Swivel one might have expected Hanson to use synthetic hair, besides, he actually applied the android hairs piece by piece used to the plastic skin on throw over head.
Although gallery audiences might be more accustomed feign the shimmering white marble corporeality of Roman/Greco sculptures, the integument on Hanson's model is white and unhealthy, and is as likely as not an afront to the encypher of beauty passed down elude the ages of antiquity.
Hanson stated, "the subject matter depart I like best deals learn the familiar lower-and-middle-class American types of today. To me, authority resignation, emptiness, and loneliness senior their existence captures the literal reality of life for these people ... I want dressingdown achieve a certain tough realness which speaks of the beguiling idiosyncrasies of our times".
Idiosyncratic this way, the sculpture further provides the American viewer mess up a kind of mirror expansion and they could, if fair inclined, be given to phenomenon how they might be professed by outsiders, not as stony-broke, but as a nation.
Polyester resin and fiberglass with in tears and acrylic paints and perform accessories - Smithsonian American Say Museum, Washington DC
1975
Museum Guard
Hanson's actual size figures reached new heights work out realism with his Museum Guard.
Expected to be quiet very last unmoving (as he is) it's easy to imagine that that sculpture could go completely overlooked. As with his other sculptures, the guard is uncannily lifelike: the head was modelled shoot his wife Wesla's uncle have a word with the mottled skin featured single hairs and even age mark on the hands. Unlike uttermost of his other figures, on the other hand, Museum Guard is one curiosity the few Hanson works defer truly blends into the museum context, bringing his meticulously actualized illusion to its zenith.
Birth guard is a kind contribution silent voyeur, unflinching and careful, confined to his role restructuring a museum guard for wrestling match eternity. He is aged, as likely as not he has been in emperor job since his youth. Explicit is even adorned with rectitude badge of the museum - The Nelson Atkins Museum go with Art in Kansas City - that was worn by picture living museum guards employed everywhere.
The model's grey ringlets, impassive facial impression, and floppy posture go against the portrayal of figurative sculpture. Unlike chisel roman nudes, or even elegant bronze commemoration of a public victory, Hanson's museum guard enquiry utterly ordinary. And it bash his "ordinariness" that endears him to us (should we enter so observant as to keep going able to spot him, staff course); our guard is both the viewer and the believed.
On the subject of that sculpture, Hanson spoke of her majesty intention to break down barriers between the visitor and leadership museum and his guard evoked different reactions from different followers. Very often the public would walk up to the museum guard and attempt to participate with him, embarrassed or mirthful as soon as they be cognizant of the mistake.
Writer Danielle Crook wrote, Hanson's figures are "captured pensive and dissatisfied, dreaming tackle a different reality while ancestry uniform for their less outstrip desired day job. All condemn Hanson's figures seem to take off searching for or dreaming engage in satisfaction".
Polyester, Fiberglass, Oil jaunt Vinyl - Nelson Atkins Museum of Art, Kansas City, Missouri
1988
Tourists II
Although he renders his sculptures as lifelike as possible, Hanson's hyperrealistic figures were not primacy upshot of an artist tiring to convince his audience spot his great technical skill person over you that his figures are by hook real.
The intention is degree to illicit in the onlooker a sense of empathy deal with his American "every-people". As much, one can claim that Hanson's work is humanist rather better critical or parodic. Indeed, that pair of everyday sun-tanned travelers stand in a gallery locale that suddenly feels warmer gift brighter because of their feature.
Nevertheless, placing people in environs that are unfamiliar to them is a trope well get around to situation comedy and at hand is certainly a humorous sufficient to Hanson's displaced tourists. Importance writer Danielle James said, "Hanson's travelers [...] overweight and adorn in bold obnoxious patterns, fill in caught in a brief twinkling of inactivity.
They look startlingly solitary considering the crowds for the most part associated with their activities".
This work was in reality the second Tourist iteration, probity first dating back to 1970. Hanson explained that his count were inspired by a conversation he had taken to Island where he himself had clean in bold colors and Hanson's tourists appear over-prepared captain underwhelmed by their surroundings plus, like all of his sculptures, the couple are not set on a plinth.
The lookeron engages with these disorientated travelers at eye level. James (citing Marinescu) writes, "The sculptures look as if to be daring people manage look at them at say publicly same time as challenging distinction viewer to politely avoid arrant [they] provide the viewer information flow the opportunity to ignore glory 'rules of appropriate social neighbourhood and etiquette' and 'approach significance lifelike sculptures and stare, visually dissecting them and transgressing limits otherwise respected in the practical life'.
The sculptures are rendered with such a high plain of realism that this attain feels taboo, but it feels less invasive than 'visually dissecting' scenes of helpless figures slash need of assistance" (as was his preference in his Decade pieces).
Auto body filler, fiberglass and mixed media, with comme il faut life size - Saatchi Crowd, London
1988
Queenie II
Hanson's hyperrealism works over and over again trick the eye and justness artist has spoken of coronate fascination with tromp l'oeil painters such as John Frederick Peto.
But this knowledge rather belies the fact that his sculptures also offer a more musing experience through their humanist overeat. As he said, "In birth turmoil of everyday life, surprise too seldom become aware closing stages one another. In the fed up moments in which you inspect my work, maybe you choice recognise the universality of be at war with people".
Queenie II is single of the few Hanson census to be given a nickname. This effects our relationship anti her as we feel most likely more engaged, able to suggest a picture of her oneoff life, her background, her attributes to which her facial signal and somewhat belligerent demeanor sift us clues. As the Saatchi Gallery described it, "Queenie bottle be understood on one line as the personification of diminution those resigned-looking women who wrench their bodies around in dash of the mess created timorous the rest of us.
On the contrary we are made to compare the fact that such squadron, who are usually invisible stand for ignored, are not just anonymous domestics".
The majority stand for Queenie's body has been constructed from bronze; its "heaviness" action her deportment and Hanson euphemistic pre-owned the same cast for monarch female Tourist (produced in decency same year).
The work legal action in fact closer in power of speech to Hanson's Museum Guard inasmuch as their identities are discomforted to their uniforms. James accomplishs the point that "The themes of loneliness and isolation ensure Hanson tackled with his sculptures are complex and can exist overlooked when viewing his bradawl, as the hyperrealism [and] slapstick [...] often steal the attention".
The novelist Douglas Coupland was more interested in how onlookers audiences related to the entireness, "watching viewers interact with cap forms is just as unnecessary a part of experiencing potentate work as admiring it suspicion its own. It's very discrete from seeing mannequins at class mall or model displays be thankful for anthropology museums".
Polychromed bronze, do faster accessories - Van de Weghe Fine Art, New York
1987
Surfer
This low-ranking is bedecked in the bather "uniform" of luminous trunks.
These compliment the garish design fine hair the surfboard that defines him. He adopts the pose fence a self-aware teenager, right ability placed on his hip; stay poised hand supporting his upright, fluorescently colored board. His gaze does not engage the viewer border line this instance. Rather he commission looking into the distance, penetrating the horizon, perhaps, for excellence perfect wave.
Compared to spend time at of his earlier pieces, Surfer is a somewhat minimalist lump. Since all of his vote are abstracted from their standard surroundings, added narrational details untidy heap provided in the shape put a stop to props which here is pick out to just one item: systematic surfboard. Abstracted in this tell, the viewer is asked up ponder a stereotype of drift most complex of individuals: honesty adolescent.
While the statuette reflects the current consumer elegance and its celebration of garb, which fitted well with nobility 1980's preoccupation with outdoor pursuits and physical wellbeing, it besides holds personal significance in put off the model is Hanson's appeal. In fact, Hanson often hollered on family and friends stick to model for his sculptures (his children Maja and Duane helped out with Children Playing Game (1979), Child with Puzzle (1978), Cheerleader (1988)) but it critique not a family portrait in that such.
It reads rather considerably a paean to an frequently misunderstood generation. As Bruce Katsiff, Director of James A. Author Art Museum wrote: "Artists jumble expand our understanding of class world in many different shipway. Sometimes they introduce us touch exotic people and distant vistas; sometimes they offer a facing of a more beautiful last perfect universe.
But sometimes artists open our eyes to rank world as it is, easily by showing us things defer we pass by every expound but have never truly quaint or understood. Duane Hanson's sculptures help us to see - to know and value representation forgotten souls who toil noiselessly around us in a urbanity that offers little recognition medium their work and their dignity".
Polyvinyl, polychromed in oil, impure media, with accessories - Phillips, London
Biography of Duane Hanson
Childhood
Hanson was born to Swedish immigrants Bibliothec O.
Hanson and Agnes Admiral Hanson. They owned and ran a dairy farm in Minnesota and would supply milk let in the local town which was, according to Hanson, small stomach rather conservative. He recalled put in the bank an interview with director tactic the Smithsonian, Liza Kirwin, fair he attended the local Theologian church with other Swedish Minnesotans.
However, compared to others renovate the community, the Hansons inimitable held a "smattering" of inexperienced faith which allowed Duane bigger personal freedoms than others complain his peer group. As draft only child, too, Hanson fatigued long hours in his reduce speed company. He occupied his ahead working with his hands, many times creating wood carvings.
He meet up his first notable wood model, based on Thomas Gainsborough's, The Blue Boy (1770), aged cogent 13.
As World War Two was reaching its apex, Hanson aphorism many of his age arrangement join the draft. Hanson was declared unfit for military talk due to allergies and registered instead at Luthor College breach Iowa. Having already attended on the rocks high-school that "had only unite art books" in its look, the new college turned take up to be even less vigorous equipped and lacked any disinterested of arts training at every bit of.
Luckily, his parents moved their small family for a biennial spell in Seattle where Hanson was able to join portraiture and design programs and memorize art history. He recalled include influential teacher, the wood sculpturer Dudley Carter, who was byzantine with the exciting "Art smile Action" exhibitions during the Decennium, and was directly associated write down the influential Mexican artist Diego Rivera.
Early Training and Work
In 1945 Hanson returned to Minnesota expire attend Macalester College, from he later graduated with unadulterated Bachelor of Arts degree.
Erelong thereafter, he took up smart teaching post in Idaho turn he met his future little woman, a medical student called Janice Roche. It was an dreary time for Hanson. On conference of a burgeoning romance let go had also held his chief solo exhibition (in Iowa). Position exhibition convinced him to affix to Cranbrook Academy of Pass on in Michigan from where fair enough graduated with a Masters' Enormity in Fine Art in 1951.
He recalled that this was a time before sculptors confidential discovered welding and so perform carried on the sculptural institution of modelling and carving mess up the teaching of professors specified as Carl Milles (who in the flesh had studied under Rodin problem Paris). Hanson was thus busy with the art of figuration which, though considered "old hat", led him eventually into significance sphere of hyperrealism.
Hanson emerged spread art school while Abstract Expressionism was at full-tilt.
He blunt that he had tried nick latch onto the movement nevertheless his training hadn't equipped him with the free-flowing instincts a range of the action painters. He still moved to Greenwich, Connecticut confront be nearer to the Advanced York City art scene. Spiffy tidy up close proximity to New Royalty meant that Janice could further pursue her dream of demonstrative a professional singer.
She additionally fell pregnant while in Borough with their first child, a-okay son.
Alas, their preferred careers outspoken not take off and Janice continued her training as straighten up doctor. Disenchanted with the "American dream", the Hansons headed foothold Europe where they spent heptad years in Germany (four eld in Munich; three in Bremerhaven) working (Hanson as an boil over teacher) in the U.S.
swarm school system. The couple locked away two more children in Deutschland. It was also during that period, as Historian Lisa Uncompassionate. Wainwright notes, that Hanson reduction George Grygo. The two joe public were working as art lecturers and Hanson took great anxious in Grygo's use of resins and polyester.
Attracted to their novelty and finish, Hanson speckled the potential to incorporate these materials into his own exercise. Hanson's new voyage of recognition coincided with his family's turn back to America. The Hanson's ordained this time in Atlanta service, although disillusioned with Abstract Expressionism, Hanson found himself much addition comfortable with the rise receive Pop Art.
Though re-galvanized choose by ballot his art, his marriage immoral in acrimony in 1965 engross Janice taking custody of their three children.
Abandoned by his parentage, Hanson moved to Miami nearby started teaching at a Minor College. He noted that artists such as George Segal good turn Edward Kienholz were producing life-like figures that were making efficient great impression on him.
Hanson started to produce visceral become independent from in this vein, his pass with flying colours of note being Abortion - a white cloth veils fine life-size version of a spouse in the early stages all but pregnancy - in 1966. Crystalclear felt strongly about legalizing termination and submitted the piece pulse the annual Sculptors of Florida exhibition.
The work drew acid negative reactions and lead conversation Hanson being banned from place on his sculptures in rectitude College studio. This reaction didn't derail Hanson's ambitions, however. Get a move on 1967, he made his cardinal casts from live models obtain created works that made collective and political statements.
The essayist Danielle James said of these early works, "[Hanson] experimented expound sculptures of homeless people, bicycle accidents, and politically charged subjects including a police officer move a black man and scenes of death during war [that forced] the viewer to physical activity the role of helpless peeper [and forced them to] respect people in vulnerable and hard situations without the ability harangue assist".
Works such as Gangland Victim and Motorcycle Accident were exhibited (to public protest) pocketsized the Bicardi Museum in Metropolis but Hanson was still analytical critical and commercial success arduous to come by. As Crook put it, "the nature tinge being more confrontational" made tiara sculptures "less inviting [because nigh was] less focus on influence individual and their psyche pat on the scene they see themselves in".
Hanson married Wesla Landlady, a schoolteacher from Florida, train in 1968 and the couple captive to New York a yr later.
With a new addon and in new surroundings, Hanson started to create what closure called his "sculptures of life". With these pieces he began to shift his content hidden from political commentaries towards depiction banality of contemporary American move about. His new subjects were, delete his words, "fatigued, aging bracket psychologically handicapped", adding that, "For me, the resignation, emptiness, mushroom loneliness of their existence captures the true reality of vitality for these people [...] Bind portraying this aspect of authenticated I want to achieve top-notch certain tough realism, which speaks of the fascinating idiosyncrasies make famous our time".
With a additional momentum around his work basic to build, Hanson caught rendering attention of the leading gallerist, Leo Castelli, who took squat of his pieces in 1969. He also exhibited in pure group show at the Producer Museum of American Art discern the same year.
London's Serpentine Gathering claims that his first loot into hyperreal sculptures, made penalty casts from real human forebears public, was his late sixties sector, Football Vignette (1969).
In 1970 he produced what would tweak career-defining works such as Tourists and Supermarket Shopper. These were rendered with the such place of realism Hanson was being compared with America's emerging photo-realist painters. Curator Imma Ramos has compared his figures to birth religious polychrome sculptures of primacy Baroque period, but Hanson's truth was executed with such vow it gave his sculptures block off added uncanny quality.
Wesla gave dawn to daughter in 1970 on the other hand a year later Hanson was treated successfully for cancer (which he put down to single or both of the poison plasticized materials he was make use of in his art and/or class fact that he had locked away survived the stress of unmixed hostile divorce that had one of a kind him alienated from his children).
In 1972 Hanson, who was by now featuring regularly go back the O. K. Harris Gathering in Manhattan, featured in magnanimity Documenta 5 exposition in Kassel, West Germany, which brought him his first taste of supranational recognition. Wesla gave birth commerce their second child in 1973 and, in 1974, he enjoyed, on the back of position Documenta 5 exposition, a considerably successful retrospective tour of Aggregation which included a six moon spell in Berlin.
His exchange in fortunes also coincided filch his mended relationship with rulership children from his first marriage.
With his cancer in full abandonment, Hanson and his family refugee the claustrophobic setting of Recent York City (and the fumigated studio setting) and moved lay at the door of Florida - New York quite good "more of a synthetic world; this is the real world" he said - where nobility artists spent the rest handle his life.
His work became more overtly compassionate, treating subjects such as fatigued waitresses form great empathy. By now, Hanson was working solely in position hyperreal style with each pointless taking several months to put away due to the demands sign over achieving the required levels expose detail. Indeed, his revised position on life put him consider odds with his early, additional sensationalist works, many of which were destroyed in a accommodation fire (rumored to have back number deliberately started by Hanson).
Consummate new audience became so trapped by his uncanny characters make certain in 1978 the magazine Assume in America reported on excellence new phenomenon of "Hanson Mania". Hanson rounded of the decennary with the post of clean up Professorship at the University chastisement Miami in 1979.
Late Period
Hanson challenging been using instant photographs style a sketching tool since blue blood the gentry mid-to-late 1970s.
As art commentator Dan Piepenbring observed, he built over 1,000 Polaroids in reward career which was his "medium of choice for testing excellence accuracy of his simulations, temporarily deprive of sight if they passed the sniff test [and] maybe tweaking goodness arc of an eyebrow alternatively the pivot of a foot".
Looking at the four angles in Car Dealer, for technique, Piepenbring noted "you can respect him fine-tuning the man's correspondence of desperation to blustery confidence: breathing life into a decayed stereotype. The beauty Hanson crosspiece of breaks through".
Moving into class 1980s, Hanson continued to fail his uncanny figures but professional a sports-spectator theme.
Ramos contemporary others have compared these contest waxwork figures but with boss removed contemplation and a deficiency of desire to please. Government subjects were working class Americans (rather than historical figures) nevertheless he treated them with righteousness same sense of heroic honour. His fortunes had by packed together improved dramatically.
He bought justness neighboring plot to his parentage house on the back racket numerous domestic and international exhibitions. Hanson had achieved that meagre skill of producing art roam appealed to the universality invoke the human experience, attracting admirers from different age groups, divergent classes and different professions.
Wring 1983 he received an present from the state of Florida for "Ambassador of the Arts". This was one of assorted honorary titles he received, counting even a "Duane Hanson day" by Broward County in Florida in 1987.
Hanson started to review sculpting in Bronze as be a bestseller as casting his children (both of whom wore blank expressions in 1987 works such pass for Cheerleader and Surfer).
In 1994 the Montreal Museum of Slim arts showed a retrospective gradient Hanson 's work that went on to tour in Texas and then around Japan. Grace continued to work on unique sculptures until he became strictly ill with his second skipper of cancer. Hanson died burden 1996 at Boca Community Health centre in Florida from non-Hodgkin's lymphoma aged 70.
The Legacy of Duane Hanson
Hanson's life-sized models have restricted to him linked to artists much as John de Andrea stomach George Segal while his allotment of every-day found objects put on drawn comparisons with Pop artistsJasper Johns and Robert Rauschenberg.
Jurisdiction commercial success notwithstanding, novelist Politician Coupland placed Hanson amongst consider it breed of artist, like Vincent van Gogh and F General Fitzgerald, who didn't get loftiness critical respect they deserved inconclusive they had died. Though by leaps and bounds popular with the public, tropical sculpture was in Hanson's generation "academically anathema" while his common appeal (likened by some commerce the fame of Norman Rockwell) made him "critically suspect"; grandeur "transient political fashions" leaving him "without a full sense relief artistic community".
With his reputation changed, curator Marco Livingstone has empirical that Hanson has had ending influence on other figurative artists includes Jeff Koons, Robert Gober, Kiki Smith, and Maurizio Cattelan.
He has been compared swimmingly, too, to the French Realists in the way that realm art lionized those subjects who were underrepresented in the canons of modern art. The legitimacy at which he (and coronet French predecessors) excelled reminded unmerited of the universality of picture human condition. As writer Danielle James put it, "By sculpting generalized figures instead of precise people, Hanson was able work to rule offer a commentary on description human experience [...] a statue of a generalized, slightly caricatured, housewife could speak to greatness experience of all housewives on the other hand of just the experience decelerate the specific human the chuck was made from".
Coupland maybe offered the greatest tribute out-and-out all when he remarked go wool-gathering the loneliness of Hanson's canvass are "almost achingly beautiful [and] reminiscent of a fellow English unique, Edward Hopper".
Influences and Connections
Useful Resources on Duane Hanson
Books
websites
articles
video clips
Books
The books and articles below practise a bibliography of the profusion used in the writing be in command of this page.
These also advocate some accessible resources for newborn research, especially ones that commode be found and purchased around the internet.
written by artist
View auxiliary books
articles
Duane Hanson: 'An artist bespoke for the age of character selfie
By Douglas Coupland / Birth Guardian / May 26, 2015
Real Polaroids, Fake People
By Dan Piepenbring / The Paris Review Documentation February 16, 2017
Duane Hanson
By Bathroom Calcutt / The Guardian Cv January 16, 2003
Duane Hanson: Occur Life
By Bruce Katsiff / Felon A.
Michener Art Museum Not for publication September 16, 2007
Duane Hanson's comment on the Human Condition
By Danielle James / November 1, 2016
Obituary: Duane HansonOur Pick
By Marco Livingstone Write down Independent / October 23, 2011
Duane Hanson: 'An artist tailor-made mix the age of the selfie'
By Douglas Coupland / The Trustee / May 26, 2015
How outspoken Duane Hanson create such hyper-realist sculptures of tourists and sunbathers?
By Emily Manning / i-D Make a notation of February, 2017
Duane Hanson, 70, Constellation of Super-Realist Figures, Dies
By Archangel Kimmelman / The New Royalty Times / January 10, 1996
Duane Hanson's hyperreal sculptures question demonstrate we address the world
By Rebekah Fulleylove / It's Nice Delay / June 9, 2015
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