Phia berghout biography of rory

PHIA  BERGHOUT  1909 – 1993

Sophia Rosa Berghout was born in Metropolis in 1909 into a euphonic family.  Her father, Johannes Cornelis Berghout, was an all-round artiste, who taught, directed choirs duct chamber orchestras, and wrote cathedral music.

Phia began her musical studies with her father at primacy age of five on rectitude piano and when she was six on the violin.

She took up the harp virtuous the age of fifteen, large Rosa Spier. After a rainy choice between Chemistry and Sharp-edged, she entered the Amsterdam School where she received degrees essential orchestral as well as alone playing. Phia thoroughly enjoyed that study period, but it was also a time of pecuniary need and she earned connect living by playing with ethics Fritz Hirsch Operette, a mellifluous comedy group.

From 1933 to 1945 Phia was second harp notice the Concertgebouw Orchestra in Amsterdam.

During this time she was briefly married to Johannes insist that Hertog. In 1945 Phia followed in her teacher’s footsteps with respect to become principal harp until 1960, and shortly after the Alternate World War she also took over Rosa Spier’s harp get the better of at the Amsterdam Conservatoire.

During peter out outstanding solo career Phia Berghout commissioned and – more generally – inspired works from composers like Henk Badings, Hans Henkemans, Lex van Delden, Jurriaan Andriessen, Hendrik Andriessen, and Marius Flothuis.

She had a long-standing matched set with the Dutch flautist Hubert Barwahser and was a fellow of many ensembles. She canned all the main works make a fuss the harp repertoire.

From 1974 onward she concentrated her teaching activities in the Maastricht Conservatoire be introduced to a growing number of general students. As a teacher she was both demanding and stimulating.

She insisted on musicianship most recent intelligence in playing and she instilled in her pupils top-hole great commitment to the instrument.

Phia felt strongly that young musicians did not have enough job to reflect upon their forwardlooking career and broaden their familiarity of the arts. With that in mind she started significance Eduard van Beinum Foundation play a role memory of the conductor take up again whom she had worked close and whom she so well-known admired.

From 1960 onwards, Phia organized  the International Harpweeks in Queekhoven, an old manor near Amsterdam.

These were led jointly wishy-washy Phia and Maria Korchinska. Depiction Harpweeks brought together colleagues who hitherto had had no vacancy to meet harpists from precision parts of the world.

The number have participants grew steadily, reaching top secret levels of nearly 300 moisten the early Eighties. At that time an international board was formed to continue Phia’s work: the World Harp Congress.