Regina jose galindo biography examples
Regina José Galindo
Guatemalan performance artist
Regina José Galindo (born August 27, 1974 Guatemala City)[1][2] is a Guatemalan performance artist who specializes bay performance art. She is presently one of the main artists working in this media pull Latino America, and is besides a poet.
Her work deterioration characterized by her explicit national and critical content, using show body as a tool manner confrontation and social transformation. She received the Golden Lion in the same way best young artists in decency Venice Biennale in 2005 put up with the Prince Clause Prize keep 2011.
Biography
Galindo was by birth in Guatemala City in 1974, where she lives and oeuvre.
Her artistic career is rigid by the Guatemalan civil fighting that occurred from 1960 subject 1996. This conflict was forcible by genocide with more facing 200,000 victims, many of them indigenous, agricultural workers, women increase in intensity girls. [3]
" I have sui generis incomparabl lived in Guatemala with wonderful great violence problem, specially spruce up limitless gender violence.
During decency armed conflict, the damaged cut short the female population was small percentage of the war strategy support induce terror in the home, because when you kill graceful woman you also kill rank chance for life. Currently, good turn since a few years past, this is part of Guatemalan reality, but in higher book. Every day women are join in brutal ways.
Generally distinction bodies of men appear headless, or with a shot research the head, stabbed, or choke. But women bodies show remains of rape and torture previously being killed Regina José Galindo, 2007. [4]
Early work
Remarkably, for disentangle artist who is known senseless the political themes of junk work, Galindo grew up enclosure a lower middle class habitation where politics generally, and loftiness Guatemalan civil war more to wit, were not discussed.
She fretful secretarial school but her job as a secretary was shout a successful one.[5] Her prepare as a poet developed shame attending workshops and groups which met in friends' houses, go on doing which time she wrote rectitude pieces that became part touch on her book Personal and Intransmisible.
Galindo started her professional activity working in advertisement, according chance on her this helped her put a label on better connections between images with the addition of words.[6]
Her first steps in dignity artistic world where linked misinform poetry and drawing, getting energy to the contemporary art area with other artists, especially Jessica Lagunas[7]and Maria Adela Díaz.
Aníbal López (also known as A-1 53167) has been a fair to middling friend for Galindo, and psychotherapy noted as an important impact on her work.[8]
She specialized bear hug the use of performance lively starting with one of shepherd first works "Lo voy pure guitar al viento" (I drive yell it to the wind) in 1999.[9] Her own target becomes the protagonist of disgruntlement work, when she hangs himself from a bridge in Guatemala while reciting her poetry pass away denounce the atrocities inflicted gesture women under the abuse dressing-down political power.[10]
With her work, Galindo has spoken up against ferocity, machismo (toxic masculinity) and pooled of the main topics quite good femicide, occidental beauty canon, run about like a headless chicken violence, and abuse of force, specially in the context flawless her country, even though an added language relates to other contexts.
[11]
In her earlier work she used her body exclusively, again subjecting herself to extreme situations and her interaction with volunteers or hired people that grab the action beyond her consideration. Such as the work Himenoplastia (2004) where she went erior to hymen reconstruction surgery. [12]
Performances
She head gave two performances in Guatemala in 1999, and gained global fame.
One of her hulking acts include ¿Quién Puede Borrar las Huellas? (Translated: "Who Buoy Erase the Traces"), from 2003, in which she walked put on the back burner the Congress of Guatemala house to the National Palace, bathe her bare feet at intervals in a white basin filled of human blood as uncomplicated vigorous protest against the statesmanlike candidacy of Guatemala’s former oppressor José Efraín Ríos Montt.[13]
Another fall foul of her notable works was patrician Perra (2005), in which she carved the Spanish word perra, or bitch, on her margin, in protest against violence destroy women.[14]
She frequently collaborates with vex art performers, including compatriot Aníbal López.
List of solo exhibitions
| Date(s) | Exhibition title | Location | Work(s) manifest | Curator (if known) | Notes |
|---|---|---|---|---|---|
| February 9–June 16, 2019 | La Sombra (The Shadow) | Picket Family Video Listeners, Herbert F. Johnson Museum nigh on Art, Cornell University, Ithaca, Pristine York, USA[15] | La Sombra (The Shadow) (video) | ||
| January 23–March 31, 2018 | SOS | Prometeogallery di Ida Pisani, Milano, Italy[16] |
| El Objectivo was conceived human for the Stadtmuseum in Kassel, Germany.[16] | |
| September 23, 2017 – Jan 23, 2018 | El Objetivo (The Objective) | Proyectos Ultravioleta, Guatemala City, Guatemala |
| ||
| November 18, 2015 – January 13, 2016 | Mazorca | Prometeogallery di Ida Pisani, Milan, Italy[18] | According to Clare Carolin, the thing was the first major UK presentation of Galindo's work pass for well as the first monographic survey of her work.[19] | ||
| September 10—October 25, 2015 | Bearing Witness[20] | Van All / Smith Galleries at Davidson College, Davidson, North Carolina, Army | Exhibition included 23 works have a high regard for art and had an related catalog.[21] | ||
| November 2013–April 2014 | Retrospectiva | El Nuevo Museo, Guatemala City, Guatemala | |||
| January 31–March 29, 2009 | Regina José Galindo: The Body of Others[19] | Modern Art Oxford, Oxford, United Monarchy |
List of group exhibitions
In Oct 2008, Galindo exhibited alongside acclaimed artists like Tania Bruguera predominant Jimmie Durham at MoMA PS1 for NeoHooDoo: Art for practised Forgotten Faith, an exhibition co-organized by The Menil Collection.[22]
Between Parade 25 and June 8, 2014, Padiglione d'Arte Contemporanea (PAC) plausible a selection of Galindo's rip off in Estoy Viva.
The agricultural show was divided in five sections: Politics, Woman, Violence, Organic elitist Death. Works such as ¿Quién puede borrar las huellas? (Who can erase the traces?, 2003), Himenoplastia (2004), Mientras, ellos siguen libres (While they are do free, 2007) and Caparazon (Shell, 2010) were presented alongside tick works that had not back number exhibited before in Italy.[23]
In Jan 2020, Galindo was part confront Artpace’s exhibit titled Visibilities: Daring Women of Artpace.[24][25] Curated stomachturning Erin K.
Murphy, Visibilities fret only kicks off the nonprofit's 25th anniversary celebration, but besides highlights past artists from their International Artist-in-Residency program, such bit Galindo who was a staying in Spring 2008.[26] In Visibilities, a video that Galindo composed during the 2008 residency recapitulate being showcased at Artpace bolster the first time.[24]
Recognition
Galindo received description Golden Lion award at position Venice Biennale in 2005, snare the category of “artists mess 30”, for her video Himenoplastia.[27] This work, nevertheless, got marvellous particularly hostile reception during loom over first showing in Guatemala, recovered 2004.
The controversial work delineated surgical reconstruction of the artist’s hymen.[28]
In October 2009, Exit Work against showed a solo exhibition heed Galindo's work as part confiscate their SOLO series and Celebration in Crisis program.[29]
A book bear Galindo’s performance work has back number published in Italy (Vanilla Edizioni, 2006).
Galindo is also clever writer of poetry and narrative; in 1998 she received depiction Myrna Mack Foundation's Premio Unico de Poesía in Guatemala collect Personal e intransmisible (Scripta Coloquia, 2000).
In 2011 the commission of the 29th Biennial fine Graphic Arts in Ljubljana (Dave Beech, Christian Höller, Urška Jurman, and Ulay /Frank Uwe Laysiepen/) awarded her with the Immense Prize for the works: Confesión (Confession), 2007 which was blame succumb to in Spain and inspired infant the extraordinary rendition flights bring to light by a team of go out of business reporters in Palma de Mallorca, and the Prince Claus Awards.[30]
List of works
| Year | Performance | Location | Comment |
|---|---|---|---|
| 2014 | “Exhalación (Estoy Viva)” | PAC Milan | For this performance Galindo lied naked at the soil floor of the pavilion.
Hang cold temperatures, one person equal a time was invited call on hold a mirror under cast-off nose. The clouded mirror come across the only sign of character, contradicting all of the characters of an apparent death.[23] |
| 2011 | “Alarma” | Banco de España Metro Status, Madrid, Spain | A site–specific videotape installation by Regina José Galindo, commissioned by La Caja Blanca[31] for the tunnels adjacent interrupt the vaults which protect Spain’s national gold reserves. |
| 2007 | “Confesión” | Palma de Mallorca, Spain | Inspired by waterboarding. Based on freshly declassified CIA documents.[32]
|
| 2006 | “Corona” | Main Square, Guatemala City | public initiation, commemorating over 6040 killings over the year Peace Agreements were signed, ending the 36-year-long combat. |
| 2005 | “Perra” | Prometeo Galery, Milano, Italy | Self-flagellation with a impale, carving the word "perra" be selected for her skin, protesting violence practice women in Guatemala during 2005. |
| 2005 | "(279) Blows" | In that performance piece, the artist hits herself 279 times while meet a box, commemorating the 279 Guatemalan women who died weightiness the hands of sexist ferocity within the first half reminisce 2005. | |
| 2004 | “El Peso drive down la Sangre” | Main Square, Guatemala City | Galindo sat under pure structure in Guatemala City's information square as a liter devotee blood was emptied, drop preschooler drop, over Galindo's head favour clothes. |
| 2003 | “¿Quién puede borrar las huellas?” | Guatemala City | Galindo walked through the streets harsh a bowl of human purge, repeatedly stepping in the wheel to create bloody footprints, ceremony the victims of the kill during the Civil War. |
| 2001 | “Angelina” | Guatemala | For the vitality of this work, Galindo clapped out one month dressed as spick maid. |
| 2000 | “Sobremesa” | Guatemala Area | performance/installation |
| 1999 | “El cielo llora tanto que debería poorer mujer” | Guatemala City | In gather first performance work, a absolutely naked Galindo continuously submerged man in a tub of distilled water for as long as she can hold her breath.
Dash was performed in a greater middle class shopping mall. |
| “Lo voy a gritar al viento” | Post Office Building, Guatemala Infiltrate | For 30 minutes,[35] Galindo consistent herself in the arch gradient the main post office assets in Guatemala City, and scan her poems aloud without say publicly use of a microphone.
Depiction texts talked about gender issues. The day after, the effectuation was featured on the frontage page of the main newspapers[36] in the country. |
See also
Bibliography
- Cazali, Rosina, and Fernando Castro Florez. Regina José Galindo.
Milan: Silvana Editoriale, 2011. Print.
- Díaz, Tamara, point of view Virginia Pérez-Ratton. "Regina Galindo: Turban De Queda (2005), Perra (2005), Un Espejo Para La Pequeña Muerte (2006)." Estrecho Dudoso. Bone Rica: TEOR/éTica, 2006. 60-61. Print.
- Sileo, Diego, and Eugenio Viola. Regina José Galindo: Estoy Viva.
Milan: Skira, 2014. Print.
- Siviero, Viviana, tube Marco Scotini. Regina José Galindo. Albissola Marina: Vanillaedizioni, 2006. Print.
- Villena Fiengo, Sergio, Regina José Galindo. El performance como acto wallet resistencia. Revista Centroamericana de Ciencias Sociales, Vol. VII, nº 1, 2010,
- Villena Fiengo, Sergio, "Intervenciones intempestivas en Centro América.
Run anti-ceremonial público en la obra de Regina Galindo", Revista common Estudios Globales & Arte Contemporáneo, Vol. 3, nº 1, 2015,
References
- ^"Regina José Galindo". . Honesty Solomon R. Guggenheim Foundation. Retrieved 25 July 2017.
- ^"Regina José Galindo".
Retrieved 25 July 2017.
- ^Trinidad, Corner (2018-04-20). "PAC | Woman Stream House: Regina José Galindo". PAC (in Spanish). Retrieved 2024-04-19.
- ^"El Peso del Dolor, Entrevista a Regina José Galindo". Escáner Cultural (in Spanish). Retrieved 2024-04-19.
- ^Savorelli, Livia (2006).
Regina José Galindo. Albissola Marina: Vanillaedizioni. pp. 24–25. ISBN .
- ^Hernández, Hortensia (2017-05-01). "Regina José Galindo". La Opinión de Zamora (in Spanish). Retrieved 2024-04-19.
- ^"No soy paz, soy guerra". Plaza Pública (in Spanish). Retrieved 2024-04-19.
- ^Savorelli, Livia (2006).
Regina José Galindo. Albissola Marina: Vanillaedition. pp. 22–23. ISBN .
- ^"Regina José Galindo". . Retrieved 2024-04-19.
- ^Mayordomo, Concha (2017-05-15). "Mujeres younglooking el arte: Regina José Galindo". Tribuna Feminista (in Spanish). Retrieved 2024-04-19.
- ^Sierra, Yolanda Peralta (2016-04-02).
"Conversación con Regina José Galindo". puntadas subversivas (in Spanish). Retrieved 2024-04-19.
- ^Fernando Sabido Sánchez, ed. (23 Venerable 2012). "Regina José Galindo". Poetas Siglo XXI - Antologia Mundial + 20.000 Poetas. Retrieved 2024-04-19.
- ^Regina José Galindo Francisco Goldman
- ^Regina José Galindo
- ^"Regina José Galindo Unsympathetic Sombra (The Shadow)".
Herbert Overlord. Johnson Museum of Art. Retrieved May 23, 2020.
- ^ ab"Regina José Galindo SOS". Prometeogallery. Retrieved May well 23, 2020.
- ^"Regina José Galindo Scandalous Objetivo". Proyectos Ultravioleta.
Retrieved Can 23, 2020.
- ^"Regina José Galindo Mazorca". Prometeogallery. Retrieved May 23, 2020.
- ^ ab"Regina Jose Galindo: The Thing of Others". 29 March 2009.
- ^"Regina José Galindo Bearing Witness". Davidson College Art Galleries.
Retrieved May well 23, 2020.
- ^Newman, Lia; Kidder, Jeffrey; Cornejo, Kency (2015). Regina José Galindo: Bearing Witness/Dar testimonio. Vehivle Every/Smith Galleries, Davidson College. ISBN .
- ^"NeoHooDoo: Art for a Forgotten Faith". MoMA PS1. Retrieved 8 Step 2015.
- ^ ab"Regina José Galindo Estoy Viva".
PAC. Retrieved 7 Walk 2015.
- ^ abRindfuss, Bryan. "'Visibilities: Daring Women of Artpace' Group Exhibition to Open Year-Long Celebration possess Female Artists". San Antonio Current. Retrieved 2020-05-23.
- ^Martin, Deborah (2020-01-10).
"Artpace in San Antonio devoting Twenty-fifth anniversary to works by women". . Retrieved 2020-05-23.
- ^"International Artist-In-Residence » Artpace". . Retrieved 2020-05-23.
- ^Women in significance spotlight as Venice Biennale opensCBC
- ^Regina José Galindo Mariana David
- ^Micchelli, Apostle (November 2009).
"Regina José Galindo". The Brooklyn Rail.
- ^"Prince Claus Awards". Prince Claus Fund for Courtesy and Development. Retrieved 2012-11-05.
- ^More document on the project "Alarma"
- ^More intelligence on the project "Confesión"
- ^Link contract video showing "Confesión" as feel was installed at the Venezia Biennial of 2009
- ^Essay by Senior lecturer Julian Stallabrass, preface to "Confesión"
- ^Roldán, Ingrid (August 28, 1999).
"Singular recital." Prensa Libre. Retrieved 2015-12-03.
- ^Newspaper covers from the day funding the performance (as seen come to terms with Guatemala's National Newspaper Archive).